A STILL LIFE is a work of art depicting inanimate subject matter, typically commonplace objects which may be either natural (flowers, game, sea shells and the like) or man-made (drinking glasses, foodstuffs, pipes, books and so on). Popular in Western art since the 17th century, still life paintings give the artist more leeway in the arrangement of design elements within a composition than do paintings of other types of subjects such as landscape or portraiture. Still life paintings often adorn the walls of ancient Egyptian tombs. It was believed that the foodstuffs and other items depicted there would, in the afterlife, become real and available for use by the deceased. Similar paintings, more simply decorative in intent, have also been found in the Roman frescoes unearthed at Pompeii and Herculaneum. The popular appreciation of still life painting as a demonstration of the artist's skill is related in the ancient Greek legend of Zeuxis and Parrhasius. The French aristocracy of the 18th century also employed artists to execute paintings of bounteous and extravagant still life subjects, this time without the moralistic vanitas message of their Dutch predecessors. The Rococo love of artifice led to a rise in appreciation for trompe l'oeil (French: "fool the eye") painting, a type of still life in which objects are shown life-sized, against a flat background, in an attempt to create the illusion of real three dimensional objects in the viewer's space.

An EASEL is an upright support used for displaying and/or fixing something resting upon it.
The word is an old Germanic synonym for donkey (compare similar semantics); its equivalent is the only word for both animal and apparatus in various languages, such as Esel in German and earlier ezel in Dutch (the easel generally in full schildersezel, 'painter's donkey'), themselves derived from Latin Asinus (hance ass), interestingly in Danish the word is staffeli and donkey is ?sel.
Easels are known to have been in use since the time of the ancient Egyptians. In the 1st century, Pliny the Elder makes reference to a large panel placed upon an easel.